National Old Theatre in Cracow reactivates great tradition of posters being separate piece of art.
Painters: Bartek Materka and Marcin Maciejowski and as only photographer in this team so far- SZYMON ROGIŃSKI, were invited to create their artistic vision for the plays staged in this season.
Have a look at Szymon’s work: King Lear, played by Jerzy Grałek, dir. by Jan Klata.
To be seen now, all around Cracow and probably at the special exhibition of all posters from the project in future.
We will keep you updated!!!
The Louis Vuitton Foundation's museum near the Bois de Boulogne in Paris. Designed by Frank Gehry, it opens on Oct. 27.
The center, on Paris’s western edge, is one of several private museums for contemporary art opening around the world in coming months at the behest of wealthy private patrons. Among them are Renzo Piano’s Centro Botín in Santander, Spain, commissioned by the banking magnate Emilio Botín, who died last month, and a museum planned by the financier and philanthropist Eli Broad in Los Angeles that is designed by Diller Scofidio & Renfro.
“Maybe now states are less powerful than before,” Jean-Paul Claverie, an adviser to Mr. Arnault, said of the trend. “And all the entrepreneurs are conscious of their place in society and have the means to realize it.”
Isabelle Huppert to curate an exhibit on Robert Mapplethorpe’s works. The exhibit will be presented by Galerie Thaddaeus Ropac at the Paris Photo fair, which runs from Nov. 12 to 16 in the Grand Palais.
The New York-based Robert Mapplethorpe Foundation has given Huppert free access to its inventory.
“Death Becomes Her: A Century of Mourning Attire,” the fall Costume Institute exhibition at The Metropolitan Museum of Art, which opens to the public on Tuesday, is a powerful reminder of how, during much of the 19th century, the mourner’s wardrobe was distinctly defined, and how it evolved at various stages of grief.
The show is arranged chronologically from 1815 through 1915, with about 30 looks, two of which are men’s-specific and one is for a little girl. The theme may come off as a little morbid, but far from sad. Instead, it’s a study of a past ritual that was mainly expressed via fabrics, i.e., matte right after the death of a beloved, with a gradual introduction of color, pattern and even shine as the mourner works through the grief.
Good ad, but a bit hyperbolical of them to say, towards the end: "The most iconic images in history, even if the ones that weren't taken by a Leica, were taken because of a Leica. We didnt invent photography, but we invented photography".
A new Leica "100" advertisement, relating to the Leica 100 year centennial and celebrating the opening of the Leica Gallery in Sao Paulo, Brazil. It recreates 35 historical Leica photos.
My dear friend David showing in Boston now, with reception tomorrow night, if you happen to be in the area; with my highest respect to him and his work.
Artist: David X. Levine
Gallery: Steven Zevitas Boston
Dates: September 10 - October 18, 2014
Reception: Friday 3 October 5:30pm
John Surette presents five recent works on paper and an editioned t-shirt. While colored pencil continues to be Levine’s primary medium, his latest work also includes collage elements. The most noticeable change in his work over the past several years, aside from its increased scale, is Levine’s abandoning of the intuitive, wonky and hard-won forms that used to dominate his compositions in favor of more strictly geometric forms. Levine has successfully wrestled the same unstable energy out of a square that he used to produce with his own personal forms.
The exhibition takes its name from the eponymous Boston-area musician, who has had a significant influence on Levine. In the work on view, Surette, Mary Tyler Moore and other pop icons as raw “material”; they function more as a brushstroke would than as cultural signifiers. Through their integration into his work, Levine explores memory and thought, and how the two intertwine and overlap to produce content that is at once highly personal and universal.
The t-shirt/print plays a central role in the exhibition and is the most consciously conceptual object that Levine has ever made. Titled “John Surette,” the shirt functions as a formal art object while referencing a litany of other issues and concerns that are central to Levine’s life and practice, from blue-collar art to iteration/repetition to installation, with the wearer as the center.
Levine’s work has been the focus of a number of one-man exhibitions, including shows at Tony Wight Gallery in Chicago, Dust Gallery in Las Vegas and Eight Modern in Santa Fe. Group exhibitions include shows at Spencer Brownstone Gallery in New York City and Cherry Martin in Los Angeles. This is Levine’s fourth exhibition at Steven Zevitas Gallery. His work will be the focus of a retrospective at the Boston University’s Sherman Gallery in 2015.
The artist will be present for an opening reception on Friday, October 3rd from 5:30 – 8:00 PM. For additional information, please contact Steven Zevitas at 617.778.5265 (ext. 22). Gallery hours are Tuesday through Saturday, 11AM – 5 PM.
David will also be showing in LA next month, at Honor Fraser Gallery