The Beirut-born poet, essayist and artist—who found fame late in life with her small-scale paintings and forceful prose—has two simultaneous shows this spring at Galerie Lelong in Paris and New York City
Before the digital revolution, experimental subcultures were far more hidden from view. Today they’re more accessible than ever – with consequences for artists and audiences
The internet has been wonderful for liberating alternative art forms and under-represented artists and their audiences from the gatekeepers of culture. But the problem with the internet is that the underground arts scene – that safe space where risk, dissent and difference are possible – is now only a click away. I’m curious about why these people clicked on those events and whether they asked themselves if what they had found really was for them. And if they did, what on earth were they thinking by attending if it wasn’t?
Art collector and philanthropist Dasha Zhukova is launching an ambitious campaign to connect Moscow to the international art world, and she’s tapped architect Rem Koolhaas to execute her vision
Interview: Brice Marden
BRICE: That's what I said at that symposium to Yve-Alain Bois: "You've got to avoid the cheap shot." He said, "What's the cheap shot?" I said, "That thing that's a little too easy to do. You've got to avoid that."